We build quiet architecture for loud landscapes.

Casa Maguey emerges from the Oaxacan soil as an extension of the land itself. Built entirely from locally sourced rammed earth and volcanic stone, the house is conceived as a series of sheltered courtyards that breathe with the terrain.

The program is organized around a central patio — a threshold between outside and in — that regulates temperature through cross-ventilation and filters light through a canopy of native trees. All service spaces are buried in the slope, leaving the main living areas afloat against the sierra horizon.

Every material decision traces back to the site: the earth for the walls was excavated from the foundations, the stone was quarried two kilometers away, and the timber roof structure was sourced from certified forests in Oaxaca's Sierra Juárez.

The Pabellón del Río occupies a contested edge between city and river in Guadalajara's historic western district. The brief called for a flexible cultural venue that could host everything from community markets to contemporary art installations.

A single folded concrete canopy — just 12 centimeters thick at the eaves — defines the structure. It shelters a fluid ground plane that dissolves the boundary between interior and the river promenade. The perforated steel screen on the south elevation acts as a thermal buffer while projecting shifting patterns of light across the floor throughout the day.

The pavilion has since become an anchoring piece of a broader riverside regeneration strategy, hosting over forty thousand visitors in its first year.

A 1950s industrial warehouse in Vallejo — one of Mexico City's oldest manufacturing districts — transformed into a hybrid creative campus for a collective of designers, researchers, and artisans.

The intervention strategy was minimal: preserve the original steel-and-timber structure, insert a new mezzanine level in Cor-Ten steel, and open the north wall to create a shaded external courtyard. The existing concrete slab was polished and sealed. Utilities were surface-mounted and painted in a warm black, celebrating rather than hiding the building's industrial logic.

The result is a space that holds its history lightly while welcoming a new generation of makers.